Visits to galleries, museums, and castles were an integral part of my childhood. These filled me with an enduring love for art, architecture, and archaeology. My initial studies covered all areas of art history, but I became drawn to the visual cultures of the Islamic world. I have been lucky enough to live and work in different parts of the Middle East. I am committed to sharing knowledge about the arts and archaeology of the Islamic world through books, exhibitions, and websites. I have always enjoyed fiction that involves art as part of a story, and the selections in this list are my current favorites. I hope you enjoy them!
Written as an introduction to the fascinating and diverse world of Islamic art, my book comprises fifty narratives occurring in different locations between 660 and 2020. The question that inspired these stories is: what sort of conversations would have occurred about objects, paintings, and buildings when they were created or later in their histories?
Placing art at the center of each narrative, the chapters explore numerous themes, including religious expression, political symbolism, memorializing the dead, the representation of the natural world, and the preeminence of the written word in Islamic culture. The stories feature the same four fictional characters, though they interact with famous figures ranging from the Arab polymath Ibn Khaldun to the influential designer William Morris.
This book is one of my favorite novels, featuring unforgettable descriptive passages. Its plot is simple, focused on the experiences of an art conservator traumatized by his experiences in World War I. During his brief stay in the Yorkshire village of Oxgodby, an ancient church is both his workplace and home.
The building becomes a potent, if mute, character in the story. The evocations of rural life are beautiful, though I was captivated by the gradual uncovering of the medieval fresco depicting the Last Judgement. These slow revelations seem to mirror the central character’s search for meaning as he rebuilds his own life. I have returned to this moving, poetic work again and again.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
J. L. Carr's A Month in the Country was first published in 1980. Tom Birkin, a damaged survivor of World War One, is spending the summer uncovering a huge medieval wall-painting in the village church of Oxgodby. Joined by another veteran, employed to look for a grave outside the churchyard, he uncovers old secrets…
The themes of regret and the unstable nature of memory stayed with me long after I had finished the book. A renowned expert on the Arabian Nights, Irwin weaves stories within stories, leaving the reader unsure about what is real and what is the product of a character’s imagination.
The unreliable narrator is a mildly successful but ultimately second-rate twentieth-century British painter who refers to a creative practice employed by the surrealists. The book took me on a wonderful journey through the artistic culture of London. Edith Sitwell, Salvador Dalí, and André Breton are just a few of the famous names who populate this surprising story.
Caspar is a mildly promising surrealist painter living in 1930s London, who secretly longs for the ordinary. He meets Caroline who seems ordinary enough until she vanishes. Caspar's obsessive quest to find her leads him into a more surreal landscape than any he could imagine. The dazzling interplay of fiction and fact-within-fiction is at the heart of this wondrous work of imagination from one of the most intriguing writers at work today.
Packed with funny, unexpected, and disturbing imagery, I read this book in one sitting. Art historians have discussed the agency possessed by material things, arguing that art and other manufactured objects can shape the actions and attitudes of individuals and groups. This has led to the creation of biographies of ancient objects, tracking their movements and transformations over time.
Fischer takes this one step further in his picaresque novel, told from the perspective of an ancient Sumerian bowl. As the title suggests, the bowl surreptitiously observes and records the lives of the collectors who have owned it over the course of millennia. I haven’t looked at old pots in my house in the same way again!
To a small flat in South London comes a Sumerian bowl: but the bowl is the Collector Collector, clay with something to say, an object d'art who will offer Rosa, its owner, vast swathes of unrecorded history from the last 5, 000 years. Meanwhile, Rosa tries to centre her life and settle the disturbances caused by an uninvited guest, Nikki.
1001 Nights meets the inner city, The Collector Collector is a comic masterpiece and unquestionably the finest novel ever narrated by a bowl.
It was only on a second attempt at reading it that I really appreciated this complex and wonderful book. Opening with the description of the murder of a manuscript gilder in sixteenth-century Istanbul, this book functions at one level as a captivating mystery. It is, of course, much more than that.
Made up of first-person narratives, I loved how animals and even inanimate objects are given their own voices. In one chapter, a counterfeit gold coin reflects on the intimate (and stomach-churning) ways such precious items interact with the human body. In what other novel can you find the drawing of a tree offering reflections about whether art should represent the outer forms or inner meanings of the natural world?
The bestselling murder mystery from Orhan Pamuk, winner of the Nobel Prize for Literature.
** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK **
Winner of the Nobel Prize for Literature
Winner of the International IMPAC Dublin Award
'Wonderful' The Spectator 'Magnificent' Observer 'Unforgettable' Guardian
My Name is Red is an unforgettable murder mystery, set amid the splendour of sixteenth century Istanbul, from the Nobel prizewinning author
In the late 1590s, the Sultan secretly commissions a great book: a celebration of his life and his empire, to be illuminated by the best artists of the day - in…
I keep returning to this collection of essays because of the elegantly stark prose style and Berger’s willingness to go against popular opinion. Who else would choose to place modernist titans like Jackson Pollock, Naum Gabo, and Paul Klee in a chapter entitled “Artists defeated by the difficulties”?
My reason for including Permanent Red here is the first chapter, “To Be an Artist,” in which Berger asks the reader to imagine lying beneath a tree on a summer day. Describing the geometry of the leaves and branches and the play of form and space, he reflects on what it means to see the world as an artist. For me, it’s the most lyrical evocation of looking as a creative act.
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
The Oracle of Spring Garden Road explores the life and singular worldview of “Crazy Eddie,” a brilliant, highly-educated homeless man who panhandles in front of a downtown bank in a coastal town.
Eddie is a local enigma. Who is he? Where did he come from? What brought him to a life on the streets? A dizzying ride between past and present, the novel unravels these mysteries, just as Eddie has decided to return to society after two decades on the streets, with the help of Jane, a woman whose intelligence and integrity rival his own. Will he succeed, or is it too late?
In the tradition of Graham Greene, this is a book about love, betrayal, and life’s heavenly music
“Crazy Eddie” is a homeless man who inhabits two squares of pavement in front of a bank in downtown Halifax, Nova Scotia. In this makeshift office, he panhandles and dispenses his peerless wisdom. Well-educated, fiercely intelligent with a passionate interest in philosophy and a profound love of nature, Eddie is an enigma for the locals. Who is he? Where did he come from? What brought him to a life on the streets? Though rumors abound, none capture the unique worldview and singular character that led him to withdraw from the perfidy and corruption of human beings. Just as Eddie has…
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